Scene III. Elsinore. A room in the house of Polonius.
Enter Laertes and Ophelia.
Laer. My necessaries are embark'd. Farewell.
And, sister, as the winds give benefit
And convoy is assistant, do not sleep,
But let me hear from you.
Oph. Do you doubt that?
Laer. For Hamlet, and the trifling of his favour,
Hold it a fashion, and a toy in blood;
A violet in the youth of primy nature,
Forward, not permanent- sweet, not lasting;
The perfume and suppliance of a minute;
No more.
Oph. No more but so?
Laer. Think it no more.
For nature crescent does not grow alone
In thews and bulk; but as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now,
And now no soil nor cautel doth besmirch
The virtue of his will; but you must fear,
His greatness weigh'd, his will is not his own;
For he himself is subject to his birth.
He may not, as unvalued persons do,
Carve for himself, for on his choice depends
The safety and health of this whole state,
And therefore must his choice be circumscrib'd
Unto the voice and yielding of that body
Whereof he is the head. Then if he says he loves you,
It fits your wisdom so far to believe it
As he in his particular act and place
May give his saying deed; which is no further
Than the main voice of Denmark goes withal.
Then weigh what loss your honour may sustain
If with too credent ear you list his songs,
Or lose your heart, or your chaste treasure open
To his unmast'red importunity.
Fear it, Ophelia, fear it, my dear sister,
And keep you in the rear of your affection,
Out of the shot and danger of desire.
The chariest maid is prodigal enough
If she unmask her beauty to the moon.
Virtue itself scopes not calumnious strokes.
The canker galls the infants of the spring
Too oft before their buttons be disclos'd,
And in the morn and liquid dew of youth
Contagious blastments are most imminent.
Be wary then; best safety lies in fear.
Youth to itself rebels, though none else near.
Oph. I shall th' effect of this good lesson keep
As watchman to my heart. But, good my brother,
Do not as some ungracious pastors do,
Show me the steep and thorny way to heaven,
Whiles, like a puff'd and reckless libertine,
Himself the primrose path of dalliance treads
And recks not his own rede.
Laer. O, fear me not!
Enter Polonius.
I stay too long. But here my father comes.
A double blessing is a double grace;
Occasion smiles upon a second leave.
Pol. Yet here, Laertes? Aboard, aboard, for shame!
The wind sits in the shoulder of your sail,
And you are stay'd for. There- my blessing with thee!
And these few precepts in thy memory
Look thou character. Give thy thoughts no tongue,
Nor any unproportion'd thought his act.
Be thou familiar, but by no means vulgar:
Those friends thou hast, and their adoption tried,
Grapple them unto thy soul with hoops of steel;
But do not dull thy palm with entertainment
Of each new-hatch'd, unfledg'd comrade. Beware
Of entrance to a quarrel; but being in,
Bear't that th' opposed may beware of thee.
Give every man thine ear, but few thy voice;
Take each man's censure, but reserve thy judgment.
Costly thy habit as thy purse can buy,
But not express'd in fancy; rich, not gaudy;
For the apparel oft proclaims the man,
And they in France of the best rank and station
Are most select and generous, chief in that.
Neither a borrower nor a lender be;
For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.
This above all- to thine own self be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
Farewell. My blessing season this in thee!
Laer. Most humbly do I take my leave, my lord.
Pol. The time invites you. Go, your servants tend.
Laer. Farewell, Ophelia, and remember well
What I have said to you.
Oph. 'Tis in my memory lock'd,
And you yourself shall keep the key of it.
Laer. Farewell. Exit.
Pol. What is't, Ophelia, he hath said to you?
Oph. So please you, something touching the Lord Hamlet.
Pol. Marry, well bethought!
'Tis told me he hath very oft of late
Given private time to you, and you yourself
Have of your audience been most free and bounteous.
If it be so- as so 'tis put on me,
And that in way of caution- I must tell you
You do not understand yourself so clearly
As it behooves my daughter and your honour.
What is between you? Give me up the truth.
Oph. He hath, my lord, of late made many tenders
Of his affection to me.
Pol. Affection? Pooh! You speak like a green girl,
Unsifted in such perilous circumstance.
Do you believe his tenders, as you call them?
Oph. I do not know, my lord, what I should think,
Pol. Marry, I will teach you! Think yourself a baby
That you have ta'en these tenders for true pay,
Which are not sterling. Tender yourself more dearly,
Or (not to crack the wind of the poor phrase,
Running it thus) you'll tender me a fool.
Oph. My lord, he hath importun'd me with love
In honourable fashion.
Pol. Ay, fashion you may call it. Go to, go to!
Oph. And hath given countenance to his speech, my lord,
With almost all the holy vows of heaven.
Pol. Ay, springes to catch woodcocks! I do know,
When the blood burns, how prodigal the soul
Lends the tongue vows. These blazes, daughter,
Giving more light than heat, extinct in both
Even in their promise, as it is a-making,
You must not take for fire. From this time
Be something scanter of your maiden presence.
Set your entreatments at a higher rate
Than a command to parley. For Lord Hamlet,
Believe so much in him, that he is young,
And with a larger tether may he walk
Than may be given you. In few, Ophelia,
Do not believe his vows; for they are brokers,
Not of that dye which their investments show,
But mere implorators of unholy suits,
Breathing like sanctified and pious bawds,
The better to beguile. This is for all:
I would not, in plain terms, from this time forth
Have you so slander any moment leisure
As to give words or talk with the Lord Hamlet.
Look to't, I charge you. Come your ways.
Oph. I shall obey, my lord.
Exeunt.
Scene IV. Elsinore. The platform before the Castle.
Enter Hamlet, Horatio, and Marcellus.
Ham. The air bites shrewdly; it is very cold.
Hor. It is a nipping and an eager air.
Ham. What hour now?
Hor. I think it lacks of twelve.
Mar. No, it is struck.
Hor. Indeed? I heard it not. It then draws near the season
Wherein the spirit held his wont to walk.
A flourish of trumpets, and two pieces go off.
What does this mean, my lord?
Ham. The King doth wake to-night and takes his rouse,
Keeps wassail, and the swagg'ring upspring reels,
And, as he drains his draughts of Rhenish down,
The kettledrum and trumpet thus bray out
The triumph of his pledge.
Hor. Is it a custom?
Ham. Ay, marry, is't;
But to my mind, though I am native here
And to the manner born, it is a custom
More honour'd in the breach than the observance.
This heavy-headed revel east and west
Makes us traduc'd and tax'd of other nations;
They clip us drunkards and with swinish phrase
Soil our addition; and indeed it takes
From our achievements, though perform'd at height,
The pith and marrow of our attribute.
So oft it chances in particular men
That, for some vicious mole of nature in them,
As in their birth,- wherein they are not guilty,
Since nature cannot choose his origin,-
By the o'ergrowth of some complexion,
Oft breaking down the pales and forts of reason,
Or by some habit that too much o'erleavens
The form of plausive manners, that these men
Carrying, I say, the stamp of one defect,
Being nature's livery, or fortune's star,
Their virtues else- be they as pure as grace,
As infinite as man may undergo-
Shall in the general censure take corruption
From that particular fault. The dram of e'il
Doth all the noble substance often dout To his own scandal.
Enter Ghost.
Hor. Look, my lord, it comes!
Ham. Angels and ministers of grace defend us!
Be thou a spirit of health or goblin damn'd,
Bring with thee airs from heaven or blasts from hell,
Be thy intents wicked or charitable,
Thou com'st in such a questionable shape
That I will speak to thee. I'll call thee Hamlet,
King, father, royal Dane. O, answer me?
Let me not burst in ignorance, but tell
Why thy canoniz'd bones, hearsed in death,
Have burst their cerements; why the sepulchre
Wherein we saw thee quietly inurn'd,
Hath op'd his ponderous and marble jaws
To cast thee up again. What may this mean
That thou, dead corse, again in complete steel,
Revisits thus the glimpses of the moon,
Making night hideous, and we fools of nature
So horridly to shake our disposition
With thoughts beyond the reaches of our souls?
Say, why is this? wherefore? What should we do?
Ghost beckons Hamlet.
Hor. It beckons you to go away with it,
As if it some impartment did desire
To you alone.
Mar. Look with what courteous action
It waves you to a more removed ground.
But do not go with it!
Hor. No, by no means!
Ham. It will not speak. Then will I follow it.
Hor. Do not, my lord!
Ham. Why, what should be the fear?
I do not set my life at a pin's fee;
And for my soul, what can it do to that,
Being a thing immortal as itself?
It waves me forth again. I'll follow it.
Hor. What if it tempt you toward the flood, my lord,
Or to the dreadful summit of the cliff
That beetles o'er his base into the sea,
And there assume some other, horrible form
Which might deprive your sovereignty of reason
And draw you into madness? Think of it.
The very place puts toys of desperation,
Without more motive, into every brain
That looks so many fadoms to the sea
And hears it roar beneath.
Ham. It waves me still.
Go on. I'll follow thee.
Mar. You shall not go, my lord.
Ham. Hold off your hands!
Hor. Be rul'd. You shall not go.
Ham. My fate cries out
And makes each petty artire in this body
As hardy as the Nemean lion's nerve.
[Ghost beckons.]
Still am I call'd. Unhand me, gentlemen.
By heaven, I'll make a ghost of him that lets me!-
I say, away!- Go on. I'll follow thee.
Exeunt Ghost and Hamlet.
Hor. He waxes desperate with imagination.
Mar. Let's follow. 'Tis not fit thus to obey him.
Hor. Have after. To what issue wail this come?
Mar. Something is rotten in the state of Denmark.
Hor. Heaven will direct it.
Mar. Nay, let's follow him.
Exeunt.
Scene V. Elsinore. The Castle. Another part of the fortifications.
Enter Ghost and Hamlet.
Ham. Whither wilt thou lead me? Speak! I'll go no further.
Ghost. Mark me.
Ham. I will.
Ghost. My hour is almost come,
When I to sulph'rous and tormenting flames
Must render up myself.
Ham. Alas, poor ghost!
Ghost. Pity me not, but lend thy serious hearing
To what I shall unfold.
Ham. Speak. I am bound to hear.
Ghost. So art thou to revenge, when thou shalt hear.
Ham. What?
Ghost. I am thy father's spirit,
Doom'd for a certain term to walk the night,
And for the day confin'd to fast in fires,
Till the foul crimes done in my days of nature
Are burnt and purg'd away. But that I am forbid
To tell the secrets of my prison house,
I could a tale unfold whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes, like stars, start from their spheres,
Thy knotted and combined locks to part,
And each particular hair to stand an end
Like quills upon the fretful porpentine.
But this eternal blazon must not be
To ears of flesh and blood. List, list, O, list!
If thou didst ever thy dear father love-
Ham. O God!
Ghost. Revenge his foul and most unnatural murther.
Ham. Murther?
Ghost. Murther most foul, as in the best it is;
But this most foul, strange, and unnatural.
Ham. Haste me to know't, that I, with wings as swift
As meditation or the thoughts of love,
May sweep to my revenge.
Ghost. I find thee apt;
And duller shouldst thou be than the fat weed
That rots itself in ease on Lethe wharf,
Wouldst thou not stir in this. Now, Hamlet, hear.
'Tis given out that, sleeping in my orchard,
A serpent stung me. So the whole ear of Denmark
Is by a forged process of my death
Rankly abus'd. But know, thou noble youth,
The serpent that did sting thy father's life
Now wears his crown.
Ham. O my prophetic soul!
My uncle?
Ghost. Ay, that incestuous, that adulterate beast,
With witchcraft of his wit, with traitorous gifts-
O wicked wit and gifts, that have the power
So to seduce!- won to his shameful lust
The will of my most seeming-virtuous queen.
O Hamlet, what a falling-off was there,
From me, whose love was of that dignity
That it went hand in hand even with the vow
I made to her in marriage, and to decline
Upon a wretch whose natural gifts were poor
To those of mine!
But virtue, as it never will be mov'd,
Though lewdness court it in a shape of heaven,
So lust, though to a radiant angel link'd,
Will sate itself in a celestial bed
And prey on garbage.
But soft! methinks I scent the morning air.
Brief let me be. Sleeping within my orchard,
My custom always of the afternoon,
Upon my secure hour thy uncle stole,
With juice of cursed hebona in a vial,
And in the porches of my ears did pour
The leperous distilment; whose effect
Holds such an enmity with blood of man
That swift as quicksilverr it courses through
The natural gates and alleys of the body,
And with a sudden vigour it doth posset
And curd, like eager droppings into milk,
The thin and wholesome blood. So did it mine;
And a most instant tetter bark'd about,
Most lazar-like, with vile and loathsome crust
All my smooth body.
Thus was I, sleeping, by a brother's hand
Of life, of crown, of queen, at once dispatch'd;
Cut off even in the blossoms of my sin,
Unhous'led, disappointed, unanel'd,
No reckoning made, but sent to my account
With all my imperfections on my head.
Ham. O, horrible! O, horrible! most horrible!
Ghost. If thou hast nature in thee, bear it not.
Let not the royal bed of Denmark be
A couch for luxury and damned incest.
But, howsoever thou pursuest this act,
Taint not thy mind, nor let thy soul contrive
Against thy mother aught. Leave her to heaven,
And to those thorns that in her bosom lodge
To prick and sting her. Fare thee well at once.
The glowworm shows the matin to be near
And gins to pale his uneffectual fire.
Adieu, adieu, adieu! Remember me. Exit.
Ham. O all you host of heaven! O earth! What else?
And shall I couple hell? Hold, hold, my heart!
And you, my sinews, grow not instant old,
But bear me stiffly up. Remember thee?
Ay, thou poor ghost, while memory holds a seat
In this distracted globe. Remember thee?
Yea, from the table of my memory
I'll wipe away all trivial fond records,
All saws of books, all forms, all pressures past
That youth and observation copied there,
And thy commandment all alone shall live
Within the book and volume of my brain,
Unmix'd with baser matter. Yes, by heaven!
O most pernicious woman!
O villain, villain, smiling, damned villain!
My tables! Meet it is I set it down
That one may smile, and smile, and be a villain;
At least I am sure it may be so in Denmark. [Writes.]
So, uncle, there you are. Now to my word:
It is 'Adieu, adieu! Remember me.'
I have sworn't.
Hor. (within) My lord, my lord!
Enter Horatio and Marcellus.
Mar. Lord Hamlet!
Hor. Heaven secure him!
Ham. So be it!
Mar. Illo, ho, ho, my lord!
Ham. Hillo, ho, ho, boy! Come, bird, come.
Mar. How is't, my noble lord?
Hor. What news, my lord?
Mar. O, wonderful!
Hor. Good my lord, tell it.
Ham. No, you will reveal it.
Hor. Not I, my lord, by heaven!
Mar. Nor I, my lord.
Ham. How say you then? Would heart of man once think it?
But you'll be secret?
Both. Ay, by heaven, my lord.
Ham. There's neer a villain dwelling in all Denmark
But he's an arrant knave.
Hor. There needs no ghost, my lord, come from the grave
To tell us this.
Ham. Why, right! You are in the right!
And so, without more circumstance at all,
I hold it fit that we shake hands and part;
You, as your business and desires shall point you,
For every man hath business and desire,
Such as it is; and for my own poor part,
Look you, I'll go pray.
Hor. These are but wild and whirling words, my lord.
Ham. I am sorry they offend you, heartily;
Yes, faith, heartily.
Hor. There's no offence, my lord.
Ham. Yes, by Saint Patrick, but there is, Horatio,
And much offence too. Touching this vision here,
It is an honest ghost, that let me tell you.
For your desire to know what is between us,
O'ermaster't as you may. And now, good friends,
As you are friends, scholars, and soldiers,
Give me one poor request.
Hor. What is't, my lord? We will.
Ham. Never make known what you have seen to-night.
Both. My lord, we will not.
Ham. Nay, but swear't.
Hor. In faith,
My lord, not I.
Mar. Nor I, my lord- in faith.
Ham. Upon my sword.
Mar. We have sworn, my lord, already.
Ham. Indeed, upon my sword, indeed.
Ghost cries under the stage.
Ghost. Swear.
Ham. Aha boy, say'st thou so? Art thou there, truepenny?
Come on! You hear this fellow in the cellarage.
Consent to swear.
Hor. Propose the oath, my lord.
Ham. Never to speak of this that you have seen.
Swear by my sword.
Ghost. [beneath] Swear.
Ham. Hic et ubique? Then we'll shift our ground.
Come hither, gentlemen,
And lay your hands again upon my sword.
Never to speak of this that you have heard:
Swear by my sword.
Ghost. [beneath] Swear by his sword.
Ham. Well said, old mole! Canst work i' th' earth so fast?
A worthy pioner! Once more remove, good friends."
Hor. O day and night, but this is wondrous strange!
Ham. And therefore as a stranger give it welcome.
There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy.
But come!
Here, as before, never, so help you mercy,
How strange or odd soe'er I bear myself
(As I perchance hereafter shall think meet
To put an antic disposition on),
That you, at such times seeing me, never shall,
With arms encumb'red thus, or this head-shake,
Or by pronouncing of some doubtful phrase,
As 'Well, well, we know,' or 'We could, an if we would,'
Or 'If we list to speak,' or 'There be, an if they might,'
Or such ambiguous giving out, to note
That you know aught of me- this is not to do,
So grace and mercy at your most need help you,
Swear.
Ghost. [beneath] Swear.
[They swear.]
Ham. Rest, rest, perturbed spirit! So, gentlemen,
With all my love I do commend me to you;
And what so poor a man as Hamlet is
May do t' express his love and friending to you,
God willing, shall not lack. Let us go in together;
And still your fingers on your lips, I pray.
The time is out of joint. O cursed spite
That ever I was born to set it right!
Nay, come, let's go together.
Exeunt.
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>>
Act II. Scene I. Elsinore. A room in the house of Polonius.
Enter Polonius and Reynaldo.
Pol. Give him this money and these notes, Reynaldo.
Rey. I will, my lord.
Pol. You shall do marvell's wisely, good Reynaldo,
Before You visit him, to make inquire
Of his behaviour.
Rey. My lord, I did intend it.
Pol. Marry, well said, very well said. Look you, sir,
Enquire me first what Danskers are in Paris;
And how, and who, what means, and where they keep,
What company, at what expense; and finding
By this encompassment and drift of question
That they do know my son, come you more nearer
Than your particular demands will touch it.
Take you, as 'twere, some distant knowledge of him;
As thus, 'I know his father and his friends,
And in part him.' Do you mark this, Reynaldo?
Rey. Ay, very well, my lord.
Pol. 'And in part him, but,' you may say, 'not well.
But if't be he I mean, he's very wild
Addicted so and so'; and there put on him
What forgeries you please; marry, none so rank
As may dishonour him- take heed of that;
But, sir, such wanton, wild, and usual slips
As are companions noted and most known
To youth and liberty.
Rey. As gaming, my lord.
Pol. Ay, or drinking, fencing, swearing, quarrelling,
Drabbing. You may go so far.
Rey. My lord, that would dishonour him.
Pol. Faith, no, as you may season it in the charge.
You must not put another scandal on him,
That he is open to incontinency.
That's not my meaning. But breathe his faults so quaintly
That they may seem the taints of liberty,
The flash and outbreak of a fiery mind,
A savageness in unreclaimed blood,
Of general assault.
Rey. But, my good lord-
Pol. Wherefore should you do this?
Rey. Ay, my lord,
I would know that.
Pol. Marry, sir, here's my drift,
And I believe it is a fetch of warrant.
You laying these slight sullies on my son
As 'twere a thing a little soil'd i' th' working,
Mark you,
Your party in converse, him you would sound,
Having ever seen in the prenominate crimes
The youth you breathe of guilty, be assur'd
He closes with you in this consequence:
'Good sir,' or so, or 'friend,' or 'gentleman'-
According to the phrase or the addition
Of man and country-
Rey. Very good, my lord.
Pol. And then, sir, does 'a this- 'a does- What was I about to say?
By the mass, I was about to say something! Where did I leave?
Rey. At 'closes in the consequence,' at 'friend or so,' and
gentleman.'
Pol. At 'closes in the consequence'- Ay, marry!
He closes thus: 'I know the gentleman.
I saw him yesterday, or t'other day,
Or then, or then, with such or such; and, as you say,
There was 'a gaming; there o'ertook in's rouse;
There falling out at tennis'; or perchance,
'I saw him enter such a house of sale,'
Videlicet, a brothel, or so forth.
See you now-
Your bait of falsehood takes this carp of truth;
And thus do we of wisdom and of reach,
With windlasses and with assays of bias,
By indirections find directions out.
So, by my former lecture and advice,
Shall you my son. You have me, have you not
Rey. My lord, I have.
Pol. God b' wi' ye, fare ye well!
Rey. Good my lord! [Going.]
Pol. Observe his inclination in yourself.
Rey. I shall, my lord.
Pol. And let him ply his music.
Rey. Well, my lord.
Pol. Farewell!
Exit Reynaldo.
Enter Ophelia.
How now, Ophelia? What's the matter?
Oph. O my lord, my lord, I have been so affrighted!
Pol. With what, i' th' name of God I
Oph. My lord, as I was sewing in my closet,
Lord Hamlet, with his doublet all unbrac'd,
No hat upon his head, his stockings foul'd,
Ungart'red, and down-gyved to his ankle;
Pale as his shirt, his knees knocking each other,
And with a look so piteous in purport
As if he had been loosed out of hell
To speak of horrors- he comes before me.
Pol. Mad for thy love?
Oph. My lord, I do not know,
But truly I do fear it.
Pol. What said he?
Oph. He took me by the wrist and held me hard;
Then goes he to the length of all his arm,
And, with his other hand thus o'er his brow,
He falls to such perusal of my face
As he would draw it. Long stay'd he so.
At last, a little shaking of mine arm,
And thrice his head thus waving up and down,
He rais'd a sigh so piteous and profound
As it did seem to shatter all his bulk
And end his being. That done, he lets me go,
And with his head over his shoulder turn'd
He seem'd to find his way without his eyes,
For out o' doors he went without their help
And to the last bended their light on me.
Pol. Come, go with me. I will go seek the King.
This is the very ecstasy of love,
Whose violent property fordoes itself
And leads the will to desperate undertakings
As oft as any passion under heaven
That does afflict our natures. I am sorry.
What, have you given him any hard words of late?
Oph. No, my good lord; but, as you did command,
I did repel his letters and denied
His access to me.
Pol. That hath made him mad.
I am sorry that with better heed and judgment
I had not quoted him. I fear'd he did but trifle
And meant to wrack thee; but beshrew my jealousy!
By heaven, it is as proper to our age
To cast beyond ourselves in our opinions
As it is common for the younger sort
To lack discretion. Come, go we to the King.
This must be known; which, being kept close, might move
More grief to hide than hate to utter love.
Come.
Exeunt.
Scene II. Elsinore. A room in the Castle.
Flourish. [Enter King and Queen, Rosencrantz and Guildenstern, cum aliis.
King. Welcome, dear Rosencrantz and Guildenstern.
Moreover that we much did long to see you,
The need we have to use you did provoke
Our hasty sending. Something have you heard
Of Hamlet's transformation. So I call it,
Sith nor th' exterior nor the inward man
Resembles that it was. What it should be,
More than his father's death, that thus hath put him
So much from th' understanding of himself,
I cannot dream of. I entreat you both
That, being of so young clays brought up with him,
And since so neighbour'd to his youth and haviour,
That you vouchsafe your rest here in our court
Some little time; so by your companies
To draw him on to pleasures, and to gather
So much as from occasion you may glean,
Whether aught to us unknown afflicts him thus
That, open'd, lies within our remedy.
Queen. Good gentlemen, he hath much talk'd of you,
And sure I am two men there are not living
To whom he more adheres. If it will please you
To show us so much gentry and good will
As to expend your time with us awhile
For the supply and profit of our hope,
Your visitation shall receive such thanks
As fits a king's remembrance.
Ros. Both your Majesties
Might, by the sovereign power you have of us,
Put your dread pleasures more into command
Than to entreaty.
Guil. But we both obey,
And here give up ourselves, in the full bent,
To lay our service freely at your feet,
To be commanded.
King. Thanks, Rosencrantz and gentle Guildenstern.
Queen. Thanks, Guildenstern and gentle Rosencrantz.
And I beseech you instantly to visit
My too much changed son.- Go, some of you,
And bring these gentlemen where Hamlet is.
Guil. Heavens make our presence and our practices
Pleasant and helpful to him!
Queen. Ay, amen!
Exeunt Rosencrantz and Guildenstern, [with some
Attendants].
Enter Polonius.
Pol. Th' ambassadors from Norway, my good lord,
Are joyfully return'd.
King. Thou still hast been the father of good news.
Pol. Have I, my lord? Assure you, my good liege,
I hold my duty as I hold my soul,
Both to my God and to my gracious king;
And I do think- or else this brain of mine
Hunts not the trail of policy so sure
As it hath us'd to do- that I have found
The very cause of Hamlet's lunacy.
King. O, speak of that! That do I long to hear.
Pol. Give first admittance to th' ambassadors.
My news shall be the fruit to that great feast.
King. Thyself do grace to them, and bring them in.
[Exit Polonius.]
He tells me, my dear Gertrude, he hath found
The head and source of all your son's distemper.
Queen. I doubt it is no other but the main,
His father's death and our o'erhasty marriage.
King. Well, we shall sift him.
Enter Polonius, Voltemand, and Cornelius.
Welcome, my good friends.
Say, Voltemand, what from our brother Norway?
Volt. Most fair return of greetings and desires.
Upon our first, he sent out to suppress
His nephew's levies; which to him appear'd
To be a preparation 'gainst the Polack,
But better look'd into, he truly found
It was against your Highness; whereat griev'd,
That so his sickness, age, and impotence
Was falsely borne in hand, sends out arrests
On Fortinbras; which he, in brief, obeys,
Receives rebuke from Norway, and, in fine,
Makes vow before his uncle never more
To give th' assay of arms against your Majesty.
Whereon old Norway, overcome with joy,
Gives him three thousand crowns in annual fee
And his commission to employ those soldiers,
So levied as before, against the Polack;
With an entreaty, herein further shown,
[Gives a paper.]
That it might please you to give quiet pass
Through your dominions for this enterprise,
On such regards of safety and allowance
As therein are set down.
King. It likes us well;
And at our more consider'd time we'll read,
Answer, and think upon this business.
Meantime we thank you for your well-took labour.
Go to your rest; at night we'll feast together.
Most welcome home! Exeunt Ambassadors.
Pol. This business is well ended.
My liege, and madam, to expostulate
What majesty should be, what duty is,
Why day is day, night is night, and time is time.
Were nothing but to waste night, day, and time.
Therefore, since brevity is the soul of wit,
And tediousness the limbs and outward flourishes,
I will be brief. Your noble son is mad.
Mad call I it; for, to define true madness,
What is't but to be nothing else but mad?
But let that go.
Queen. More matter, with less art.
Pol. Madam, I swear I use no art at all.
That he is mad, 'tis true: 'tis true 'tis pity;
And pity 'tis 'tis true. A foolish figure!
But farewell it, for I will use no art.
Mad let us grant him then. And now remains
That we find out the cause of this effect-
Or rather say, the cause of this defect,
For this effect defective comes by cause.
Thus it remains, and the remainder thus.
Perpend.
I have a daughter (have while she is mine),
Who in her duty and obedience, mark,
Hath given me this. Now gather, and surmise.
[Reads] the letter.
'To the celestial, and my soul's idol, the most beautified
Ophelia,'-
That's an ill phrase, a vile phrase; 'beautified' is a vile
phrase.
But you shall hear. Thus:
[Reads.]
'In her excellent white bosom, these, &c.'
Queen. Came this from Hamlet to her?
Pol. Good madam, stay awhile. I will be faithful. [Reads.]
'Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.
'O dear Ophelia, I am ill at these numbers; I have not art to
reckon my groans; but that I love thee best, O most best, believe
it. Adieu.
'Thine evermore, most dear lady, whilst this machine is to him,
HAMLET.'
This, in obedience, hath my daughter shown me;
And more above, hath his solicitings,
As they fell out by time, by means, and place,
All given to mine ear.
King. But how hath she
Receiv'd his love?
Pol. What do you think of me?
King. As of a man faithful and honourable.
Pol. I would fain prove so. But what might you think,
When I had seen this hot love on the wing
(As I perceiv'd it, I must tell you that,
Before my daughter told me), what might you,
Or my dear Majesty your queen here, think,
If I had play'd the desk or table book,
Or given my heart a winking, mute and dumb,
Or look'd upon this love with idle sight?
What might you think? No, I went round to work
And my young mistress thus I did bespeak:
'Lord Hamlet is a prince, out of thy star.
This must not be.' And then I prescripts gave her,
That she should lock herself from his resort,
Admit no messengers, receive no tokens.
Which done, she took the fruits of my advice,
And he, repulsed, a short tale to make,
Fell into a sadness, then into a fast,
Thence to a watch, thence into a weakness,
Thence to a lightness, and, by this declension,
Into the madness wherein now he raves,
And all we mourn for.
King. Do you think 'tis this?
Queen. it may be, very like.
Pol. Hath there been such a time- I would fain know that-
That I have Positively said ''Tis so,'
When it prov'd otherwise.?
King. Not that I know.
Pol. [points to his head and shoulder] Take this from this, if this
be otherwise.
If circumstances lead me, I will find
Where truth is hid, though it were hid indeed
Within the centre.
King. How may we try it further?
Pol. You know sometimes he walks four hours together
Here in the lobby.
Queen. So he does indeed.
Pol. At such a time I'll loose my daughter to him.
Be you and I behind an arras then.
Mark the encounter. If he love her not,
And he not from his reason fall'n thereon
Let me be no assistant for a state,
But keep a farm and carters.
King. We will try it.
Enter Hamlet, reading on a book.
Queen. But look where sadly the poor wretch comes reading.
Pol. Away, I do beseech you, both away
I'll board him presently. O, give me leave.
Exeunt King and Queen, [with Attendants].
How does my good Lord Hamlet?
Ham. Well, God-a-mercy.
Pol. Do you know me, my lord?
Ham. Excellent well. You are a fishmonger.
Pol. Not I, my lord.
Ham. Then I would you were so honest a man.
Pol. Honest, my lord?
Ham. Ay, sir. To be honest, as this world goes, is to be one man
pick'd out of ten thousand.
Pol. That's very true, my lord.
Ham. For if the sun breed maggots in a dead dog, being a god
kissing carrion- Have you a daughter?
Pol. I have, my lord.
Ham. Let her not walk i' th' sun. Conception is a blessing, but not
as your daughter may conceive. Friend, look to't.
Pol. [aside] How say you by that? Still harping on my daughter. Yet
he knew me not at first. He said I was a fishmonger. He is far
gone, far gone! And truly in my youth I suff'red much extremity
for love- very near this. I'll speak to him again.- What do you
read, my lord?
Ham. Words, words, words.
Pol. What is the matter, my lord?
Ham. Between who?
Pol. I mean, the matter that you read, my lord.
Ham. Slanders, sir; for the satirical rogue says here that old men
have grey beards; that their faces are wrinkled; their eyes
purging thick amber and plum-tree gum; and that they have a
plentiful lack of wit, together with most weak hams. All which,
sir, though I most powerfully and potently believe, yet I hold it
not honesty to have it thus set down; for you yourself, sir,
should be old as I am if, like a crab, you could go backward.
Pol. [aside] Though this be madness, yet there is a method in't.-
Will You walk out of the air, my lord?
Ham. Into my grave?
Pol. Indeed, that is out o' th' air. [Aside] How pregnant sometimes
his replies are! a happiness that often madness hits on, which
reason and sanity could not so prosperously be delivered of. I
will leave him and suddenly contrive the means of meeting between
him and my daughter.- My honourable lord, I will most humbly take
my leave of you.
Ham. You cannot, sir, take from me anything that I will more
willingly part withal- except my life, except my life, except my
life,
Enter Rosencrantz and Guildenstern.
Pol. Fare you well, my lord.
Ham. These tedious old fools!
Pol. You go to seek the Lord Hamlet. There he is.
Ros. [to Polonius] God save you, sir!
Exit [Polonius].
Guil. My honour'd lord!
Ros. My most dear lord!
Ham. My excellent good friends! How dost thou, Guildenstern? Ah,
Rosencrantz! Good lads, how do ye both?
Ros. As the indifferent children of the earth.
Guil. Happy in that we are not over-happy.
On Fortune's cap we are not the very button.
Ham. Nor the soles of her shoe?
Ros. Neither, my lord.
Ham. Then you live about her waist, or in the middle of her
favours?
Guil. Faith, her privates we.
Ham. In the secret parts of Fortune? O! most true! she is a
strumpet. What news ?
Ros. None, my lord, but that the world's grown honest.
Ham. Then is doomsday near! But your news is not true. Let me
question more in particular. What have you, my good friends,
deserved at the hands of Fortune that she sends you to prison
hither?
Guil. Prison, my lord?
Ham. Denmark's a prison.
Ros. Then is the world one.
Ham. A goodly one; in which there are many confines, wards, and
dungeons, Denmark being one o' th' worst.
Ros. We think not so, my lord.
Ham. Why, then 'tis none to you; for there is nothing either good
or bad but thinking makes it so. To me it is a prison.
Ros. Why, then your ambition makes it one. 'Tis too narrow for your
mind.
Ham. O God, I could be bounded in a nutshell and count myself a
king of infinite space, were it not that I have bad dreams.
Guil. Which dreams indeed are ambition; for the very substance of
the ambitious is merely the shadow of a dream.
Ham. A dream itself is but a shadow.
Ros. Truly, and I hold ambition of so airy and light a quality that
it is but a shadow's shadow.
Ham. Then are our beggars bodies, and our monarchs and outstretch'd
heroes the beggars' shadows. Shall we to th' court? for, by my
fay, I cannot reason.
Both. We'll wait upon you.
Ham. No such matter! I will not sort you with the rest of my
servants; for, to speak to you like an honest man, I am most
dreadfully attended. But in the beaten way of friendship, what
make you at Elsinore?
Ros. To visit you, my lord; no other occasion.
Ham. Beggar that I am, I am even poor in thanks; but I thank you;
and sure, dear friends, my thanks are too dear a halfpenny. Were
you not sent for? Is it your own inclining? Is it a free
visitation? Come, deal justly with me. Come, come! Nay, speak.
Guil. What should we say, my lord?
Ham. Why, anything- but to th' purpose. You were sent for; and
there is a kind of confession in your looks, which your modesties
have not craft enough to colour. I know the good King and Queen
have sent for you.
Ros. To what end, my lord?
Ham. That you must teach me. But let me conjure you by the rights
of our fellowship, by the consonancy of our youth, by the
obligation of our ever-preserved love, and by what more dear a
better proposer could charge you withal, be even and direct with
me, whether you were sent for or no.
Ros. [aside to Guildenstern] What say you?
Ham. [aside] Nay then, I have an eye of you.- If you love me, hold
not off.
Guil. My lord, we were sent for.
Ham. I will tell you why. So shall my anticipation prevent your
discovery, and your secrecy to the King and Queen moult no
feather. I have of late- but wherefore I know not- lost all my
mirth, forgone all custom of exercises; and indeed, it goes so
heavily with my disposition that this goodly frame, the earth,
seems to me a sterile promontory; this most excellent canopy, the
air, look you, this brave o'erhanging firmament, this majestical
roof fretted with golden fire- why, it appeareth no other thing
to me than a foul and pestilent congregation of vapours. What a
piece of work is a man! how noble in reason! how infinite in
faculties! in form and moving how express and admirable! in
action how like an angel! in apprehension how like a god! the
beauty of the world, the paragon of animals! And yet to me what
is this quintessence of dust? Man delights not me- no, nor woman
neither, though by your smiling you seem to say so.
Ros. My lord, there was no such stuff in my thoughts.
Ham. Why did you laugh then, when I said 'Man delights not me'?
Ros. To think, my lord, if you delight not in man, what lenten
entertainment the players shall receive from you. We coted them
on the way, and hither are they coming to offer you service.
Ham. He that plays the king shall be welcome- his Majesty shall
have tribute of me; the adventurous knight shall use his foil and
target; the lover shall not sigh gratis; the humorous man shall
end his part in peace; the clown shall make those laugh whose
lungs are tickle o' th' sere; and the lady shall say her mind
freely, or the blank verse shall halt fort. What players are
they?
Ros. Even those you were wont to take such delight in, the
tragedians of the city.
Ham. How chances it they travel? Their residence, both in
reputation and profit, was better both ways.
Ros. I think their inhibition comes by the means of the late
innovation.
Ham. Do they hold the same estimation they did when I was in the
city? Are they so follow'd?
Ros. No indeed are they not.
Ham. How comes it? Do they grow rusty?
Ros. Nay, their endeavour keeps in the wonted pace; but there is,
sir, an eyrie of children, little eyases, that cry out on the top
of question and are most tyrannically clapp'd fort. These are now
the fashion, and so berattle the common stages (so they call
them) that many wearing rapiers are afraid of goosequills and
dare scarce come thither.
Ham. What, are they children? Who maintains 'em? How are they
escoted? Will they pursue the quality no longer than they can
sing? Will they not say afterwards, if they should grow
themselves to common players (as it is most like, if their means
are no better), their writers do them wrong to make them exclaim
against their own succession.
Ros. Faith, there has been much to do on both sides; and the nation
holds it no sin to tarre them to controversy. There was, for a
while, no money bid for argument unless the poet and the player
went to cuffs in the question.
Ham. Is't possible?
Guil. O, there has been much throwing about of brains.
Ham. Do the boys carry it away?
Ros. Ay, that they do, my lord- Hercules and his load too.
Ham. It is not very strange; for my uncle is King of Denmark, and
those that would make mows at him while my father lived give
twenty, forty, fifty, a hundred ducats apiece for his picture in
little. 'Sblood, there is something in this more than natural, if
philosophy could find it out.
Flourish for the Players.
Guil. There are the players.
Ham. Gentlemen, you are welcome to Elsinore. Your hands, come! Th'
appurtenance of welcome is fashion and ceremony. Let me comply
with you in this garb, lest my extent to the players (which I
tell you must show fairly outwards) should more appear like
entertainment than yours. You are welcome. But my uncle-father
and aunt-mother are deceiv'd.
Guil. In what, my dear lord?
Ham. I am but mad north-north-west. When the wind is southerly I
know a hawk from a handsaw.
Enter Polonius.
Pol. Well be with you, gentlemen!
Ham. Hark you, Guildenstern- and you too- at each ear a hearer!
That great baby you see there is not yet out of his swaddling
clouts.
Ros. Happily he's the second time come to them; for they say an old
man is twice a child.
Ham. I will prophesy he comes to tell me of the players. Mark it.-
You say right, sir; a Monday morning; twas so indeed.
Pol. My lord, I have news to tell you.
Ham. My lord, I have news to tell you. When Roscius was an actor in
Rome-
Pol. The actors are come hither, my lord.
Ham. Buzz, buzz!
Pol. Upon my honour-
Ham. Then came each actor on his ass-
Pol. The best actors in the world, either for tragedy, comedy,
history, pastoral, pastoral-comical, historical-pastoral,
tragical-historical, tragical-comical-historical-pastoral; scene
individable, or poem unlimited. Seneca cannot be too heavy, nor
Plautus too light. For the law of writ and the liberty, these are
the only men.
Ham. O Jephthah, judge of Israel, what a treasure hadst thou!
Pol. What treasure had he, my lord?
Ham. Why,
'One fair daughter, and no more,
The which he loved passing well.'
Pol. [aside] Still on my daughter.
Ham. Am I not i' th' right, old Jephthah?
Pol. If you call me Jephthah, my lord, I have a daughter that I
love passing well.
Ham. Nay, that follows not.
Pol. What follows then, my lord?
Ham. Why,
'As by lot, God wot,'
and then, you know,
'It came to pass, as most like it was.'
The first row of the pious chanson will show you more; for look where my abridgment comes.
Enter four or five Players.
You are welcome, masters; welcome, all.- I am glad to see thee
well.- Welcome, good friends.- O, my old friend? Why, thy face is
valanc'd since I saw thee last. Com'st' thou to' beard me in
Denmark?- What, my young lady and mistress? By'r Lady, your
ladyship is nearer to heaven than when I saw you last by the
altitude of a chopine. Pray God your voice, like a piece of
uncurrent gold, be not crack'd within the ring.- Masters, you are
all welcome. We'll e'en to't like French falconers, fly at
anything we see. We'll have a speech straight. Come, give us a
taste of your quality. Come, a passionate speech.
1. Play. What speech, my good lord?
Ham. I heard thee speak me a speech once, but it was never acted;
or if it was, not above once; for the play, I remember, pleas'd
not the million, 'twas caviary to the general; but it was (as I
receiv'd it, and others, whose judgments in such matters cried in
the top of mine) an excellent play, well digested in the scenes,
set down with as much modesty as cunning. I remember one said
there were no sallets in the lines to make the matter savoury,
nor no matter in the phrase that might indict the author of
affectation; but call'd it an honest method, as wholesome as
sweet, and by very much more handsome than fine. One speech in't
I chiefly lov'd. 'Twas AEneas' tale to Dido, and thereabout of it
especially where he speaks of Priam's slaughter. If it live in
your memory, begin at this line- let me see, let me see:
'The rugged Pyrrhus, like th' Hyrcanian beast-'
'Tis not so; it begins with Pyrrhus:
'The rugged Pyrrhus, he whose sable arms,
Black as his purpose, did the night resemble
When he lay couched in the ominous horse,
Hath now this dread and black complexion smear'd
With heraldry more dismal. Head to foot
Now is be total gules, horridly trick'd
With blood of fathers, mothers, daughters, sons,
Bak'd and impasted with the parching streets,
That lend a tyrannous and a damned light
To their lord's murther. Roasted in wrath and fire,
And thus o'ersized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks.'
So, proceed you.
Pol. Fore God, my lord, well spoken, with good accent and good
discretion.
